My thoughts and opinions. Probably more random than anything you've seen. What I post is open and truthful and often my way of working through things. I hope you see something that helps you. If you see something you don't like, there's a cute lil x in the upper right hand corner. Enjoy.
Just my thoughts...
Tuesday, May 22, 2012
A-Z: Y and Z
AND
I'm ready for this to be over with already, LOL. I've been having a hard time thinking of just what to write and I was daggone sure not going to do two more posts on this challenge, let's git'er done!
You-I challenge you to find a challenge, be it a 3 day, 5 day, whatever and blog on it. It clears your head and it makes you think about some things sometimes. Post a link to your blog here and I'll check it out.
Zydeco-Zydeco is a form of uniquely American roots or folk music. It evolved in southwest Louisiana in the early 19th century from forms of "la la" Creole music. The rural Creoles of southwest Louisiana and southeast Texas still sing in Louisiana Creole French.
Zydeco combines elements of an even older American musical style which began in the late 1700s: Cajun music, which comprises French fiddle tunes, Irish Celtic fiddle tunes, German button accordion, Latin rhythms, and Appalachian styles.
Zydeco music was born as a blend of Cajun music and two other "new" American music styles: blues and rhythm and blues.
Zydeco (French, from the phrase: "Les haricots ne sont pas salés", means "the snap beans aren't salty". This phrase is a colloquial expression that means 'I have no spicy news for you.'[citation needed] It has alternatively been referred to as meaning "I'm so poor, I can't afford any salt meat for the beans." When spoken in the regional French, it is spoken thus: "leh-zy-dee-co sohn pah salay...")
"In fact, the first Zydeco-ish recording was Clarence Garlows hit "Bon Ton Roula," issued in 1949 on the Macys label."[1] Zydeco music pioneer Clifton Chenier, "The King of Zydeco", made Zydeco popular on regional radio stations with his bluesy style and keyboard accordion.
Usually fast tempo and dominated by the button or piano accordion and a form of a washboard known as a "rub-board," "scrub-board," "wash-board," or frottoir, zydeco music was originally created at house dances, where families and friends gathered for socializing. Creoles do not consider themselves part of the black culture, but rather a mixture of Haitian, Native American, French, and Spanish known as "Quadronne" or "four-way".[citation needed]
The original French settlers came to Louisiana in the late 1700s, sent by the King of Spain to help settle the Louisiana Territory. Arriving in New Orleans on seven ships, the settlers quickly moved into the bayous and swamps. There the French culture permeated those of the Irish, Spanish, Native Indian and German peoples already populating the area.[2]
Sometimes the music was performed in the Catholic Church community centers, as Creoles were mostly Catholic. Later it moved to rural dance halls and nightclubs. As a result, the music integrated waltz, shuffles, two-steps, blues, rock and roll, and other dance music forms of the era. Today, zydeco integrates genres such as R&B, soul, brass band, reggae, hip hop, ska, rock, Afro-Caribbean and other styles, in addition to the traditional forms.
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